Jumat, 05 Agustus 2011

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Tic Tac Toe: 8 Strategies to Win Every Game, by Puzzleland

Ever Wished you Were Unbeatable in Tic-Tac-Toe? You have JUST DISCOVERED THE WAY!
What if I told you that there is an easy way never to lose in Tic-Tac-Toe?

Imagine the expression on your friends’ face when, every time you play Tic-Tac-Toe together, they just can’t beat you! Even when you play 10, 20 or 50 rounds in a row.

Or, imagine making a bet with your friends and challenging them to beat you in Tic-Tac-Toe. Make the bet more attractive for them: the game could have 10 or 20 rounds, and you’ll give them the privilege of starting first in every s-i-n-g-l-e round. “Piece of cake!” they will think and they will take the bet. Only to discover in despair, 10 or 20 rounds later, that it is impossible to beat you, even once.

This book reveals a simple system that will help you never lose a single game from the moment you learn them.

Let us repeat that.

After reading this book and for the rest of your life, you will never, ever lose a game of Tic-Tac-Toe again!

How is it possible never to lose in Tic-Tac-Toe?
Tic-Tac-Toe is a “solved” game, meaning that there are mathematically proven strategies to defend yourself against losing. If you play with these optimal strategies in mind, you may win and you can’t lose. If your opponent also plays with the optimal strategies in mind, neither will win, and the game will always end in a draw.

However, very few people really know these strategies.

This book reveals an easy system of only 8 strategies that will make you a Tic-Tac-Toe Master.

If you learn and start applying these 8 strategies, we guarantee that you will never lose a game of Tic-Tac-Toe again.

Is it easy to learn these strategies?
Very easy! These 8 strategies are presented in 8 mini chapters, with illustrations and step-by-step explanations. Even a kid can read this book and learn the strategies!

In just 1 hour you will have learnt all 8 strategies and you will be ready to start applying them.

Will I have to think too hard to apply these strategies?
As a matter of fact, all you have to do is to memorize our simple system. As soon as you learn this system, every game will be a no-brainer for you. Our system tells you exactly how to play or how to respond to your opponent’s move. Simple as A-B-C.

For example, if your opponent plays first and chooses a corner, our system tells you exactly how to respond in order to eliminate any chance of losing the game.

Is this for real? Do you guarantee that I will never lose a TTT game again?
YES!!! We challenge you to read this book and then immediately start playing Tic-Tac-Toe online, against a computer, applying everything you have learnt.

You will discover that even a computer can’t beat you.

Your new super powers in Tic-Tac-Toe will blow your mind!

Start right now!
Buy the book, learn the strategies and NEVER lose a Tic-Tac-Toe game again from that moment and for the rest of your life!

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  • Sales Rank: #192839 in eBooks
  • Published on: 2016-01-25
  • Released on: 2016-01-25
  • Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
Solid and Effective Strats
By Vivian Hunter
This is probably the most elaborate guide I've read about tic-tac-toe so far. All these 8 strategies were extensively illustrated and discussed and they do work. I've tried all 8 and winning rate so far is 100%.

1 of 1 people found the following review helpful.
Tic Tac Toe is an amazing reading experience
By Ajit PS
Tic Tac Toe is an amazing reading experience. I never ever thought that I would get a beautiful book on Tic-Tac-Toe. I am fond of these games. Now I’ll never lose in this game. One great thing in this book is that we can play Tic Tac Toe online and take our test ourselves whether we have learnt the strategies given in this book. Useful illustrations and examples enhance our thinking level. Very Interesting…

0 of 0 people found the following review helpful.
If you’re not a good player of tic tac toe
By LINDA
Heard about the common game tic tac toe? Of course yes! Who wouldn’t know that? Even aliens know that game. So, let’s settle it down and talk about what’s the connection of the game to the book here with me! If you’re not a good player of tic tac toe, I must say that you might consider to find strategies to win it… And that is what this book would give to the readers! The 8 strategies to win the game! Well, I should jump into conclusion that all given strategies were easy to follow because I, myself had read all of it. You’ll really learn from this. You won’t get disappointed. Everything you need will be found through the pages of this book!

See all 11 customer reviews...

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  • Binding: Hardcover

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Hallelujah Anyway: Rediscovering Mercy, by Anne Lamott

New York Times Bestseller

“Anne Lamott is my Oprah.” —Chicago Tribune

From the author of Help, Thanks, Wow and Bird by Bird, a powerful exploration of mercy and how we can embrace it.

"Mercy is radical kindness," Anne Lamott writes in her enthralling and heartening book, Hallelujah Anyway. It's the permission you give others—and yourself—to forgive a debt, to absolve the unabsolvable, to let go of the judgment and pain that make life so difficult.

In Hallelujah Anyway: Rediscovering Mercy Lamott ventures to explore where to find meaning in life. We should begin, she suggests, by "facing a great big mess, especially the great big mess of ourselves." It's up to each of us to recognize the presence and importance of mercy everywhere—"within us and outside us, all around us"—and to use it to forge a deeper understanding of ourselves and more honest connections with each other. While that can be difficult to do, Lamott argues that it's crucial, as "kindness towards others, beginning with myself, buys us a shot at a warm and generous heart, the greatest prize of all." 

Full of Lamott’s trademark honesty, humor and forthrightness, Hallelujah Anyway is profound and caring, funny and wise—a hopeful book of hands-on spirituality.

  • Sales Rank: #181 in Books
  • Brand: RIVERHEAD
  • Published on: 2017-04-04
  • Released on: 2017-04-04
  • Original language: English
  • Dimensions: 8.31" h x .70" w x 5.06" l, .75 pounds
  • Binding: Hardcover
  • 192 pages
Features
  • RIVERHEAD

Review
“Lamott is a superb writer. Her voice is one-of-a-kind: deft, folksy, cheerfully hostile... She is witty and funny and smart... Telling stories so personal even a distant reader can relate.” —The Washington Post

“This is trademark Lamott—theological speculation, hippie slang and domestic comedy, C.S. Lewis by way of Janis Joplin by way of Erma Bombeck.” —Christian Science Monitor

“Every writer, truth-seeker, parent, and activist I know is in love with one or more books by Anne Lamott... she writes as naturally as she breathes, she explores the mysterious paths and detours of life itself, and she reports back to make the way ahead easier for all of us... I keep learning a lot from the clear and great Annie Lamott. I think you will, too.” —Gloria Steinem

“A clarion call to the better angels of our nature.” —Chicago Tribune

“Best bathtub read for me would be anything by Anne Lamott... She always makes me laugh and she embraces all the broken bits.” —Andie McDowell, actress, in W Magazine

“Mercy is complicated, but Hallelujah Anyway does a fabulous job of breaking it down so it’s easier to understand. And [Lamott] even paints visual pictures of mercy that help you feel what mercy is.” —The Huffington Post

“Hallelujah Anyway: Rediscovering Mercy is a breath of fresh literary air. With a caring and understanding tone, Lamott takes on the overwhelming negativity in today’s political and international culture head-on, and gets hands-on in finding humor and hope in between the headlines.” —Pacific Sun


“Some books we read for their delicious plots, but others we savor another way. Anne Lamott’s Hallelujah Anyway is one you’ll slow down to read, so exactly right are her insights. The way to feel whole, she says, is through mercy—an idea as beloved as cheese, yet so tricky when you have to apply it to annoying people. But at this exact moment, we can all agree: It’s time for kindness.” —Redbook

“Reading Anne Lamott…is like sitting down with a girlfriend you haven’t seen for a while.” —The Washington Post

“Not a book to miss.” —Library Journal

“Spiritually enhancing, life-affirming lessons . . . delivers flashes of wisdom and inspiration that resonate.” —Kirkus Reviews

Praise for Anne Lamott

“Lamott is beloved by legions for her smart, irreverent take on the human condition, filtered through her unique brand of compassionate Christianity and delivered with delicious, self-deprecating wit. Lamott goes even deeper in these essays.” —People

“Anne Lamott is a cause for celebration. [Her] real genius lies in capturing the ineffable, describing not perfect moments, but imperfect ones…perfectly. She is nothing short of miraculous.” —The New Yorker

“Lamott is funny, witty and irreverent…Her basic message is love and forgiveness…Not a bad message for any faith.” —The Denver Post

"Read this book, whatever your faith. Read it twice." —Pittsburgh Post-Gazette

About the Author
Anne Lamott is the New York Times bestselling author of Help, Thanks, Wow; Small Victories; Stitches; Some Assembly Required; Grace (Eventually); Plan B; Traveling Mercies; Bird by Bird; Operating Instructions, and the forthcoming Hallelujah Anyway. She is also the author of several novels, including Imperfect Birds and Rosie. A past recipient of a Guggenheim Fellowship and an inductee to the California Hall of Fame, she lives in Northern California.

Excerpt. © Reprinted by permission. All rights reserved.
Being alive here on earth has always been a mixed grill at best, lovely, hard, and confusing. Good and bad things happen to good and bad people. That’s not much of a system: a better one would be a silverware drawer for joy, sorrows, doldrums, madness, ease. But no, Eden explodes and we enter a dangerous, terrifying world, the same place where goodness, love, and kind intelligence lift us so often. The world has an awful beauty. This is a chaotic place, humanity is a chaotic place, and I am a chaotic place.
Mother Nature is the main problem. Mother Nature runs on the principle that we all just get killed.

This is a little depressing, that nearly every species has to be afraid in order to live. Of course it makes sense for a colony of wild rabbits to be afraid when the harrier hawk appears overhead; no surprise that you hear the concerned back- ground music swell from the bushes. But I’ve seen toothy foxes up close on my hikes, and they bolt. They really don’t seem interested in getting to know me. (Their loss.) They’re afraid of an older woman with sore feet and hands, because life is scary.

How—if we are to believe that there is meaning in our brief time here on earth, that mercy is the ground of our being, and love is sovereign— do we explain childhood cancer, earthquakes, addiction? Where is mercy in a beloved’s suicide? In the Christian tradition, we say that Christ continues to be crucified, in tsunamis, sick children, political prisoners, and that we must respond.

This is what I believe, so I show up and get water for people, real people, which is to say, annoying people. Mother Teresa cradling strangers at dawn is very romantic, but in life, there’s also your thirsty bigoted father, your lying sister, the whole human race, living and dying and rising with Christ.

In the rabbinical tradition, there is great insight in the notion that when we see suffering, we remember that this is only the sixth day. We’re not done here. The good news is that God isn’t, either. God is searching with us for a cure for cancer. God rejoiced at the cure for smallpox.

And the Dalai Lama said, “Old friends pass away, new friends appear. It is just like the days.” I don’t love hearing this, but yes: yes, one of these days I’m going to die. However, not on any of all the other days. Today, we put on the artist’s smock and plug back in.

This co-creation goes slowly. Time takes time. It’s about evolution, increased equal rights side by side with mothers still hauling in their daughters to the traditional surgeon for genital mutilation. The great French Jesuit soul Teilhard de Chardin believed we’re on the crest of a wave, evolving toward what I would dare to call, this one time, Christ consciousness; but chaos is real and hard and a lot of people would be relieved to live in the silverware drawer of North Korea, if there was more food.

One of the few consolations is that it is not just you and yours who get upset and scared and deeply defeated, not just your own rabbi or lama who loses faith occasionally and sinks into despair. It is everyone. Even Jesus’ best friends lost hope, even with Him right there beside them, way before the crucifixion.

When Jesus comforts Mary and Martha after the death of their brother, Lazarus, we read the shortest and most amazing line of the Bible: Jesus wept. But in some translations it says Jesus is pissed. And the reason for this pisses me off: He’s sad because Lazarus dies, but He’s also frustrated because Mary and Martha aren’t getting the message—they don’t fully believe in the kingdom right then. Right then, after their brother has died. Martha is despondent that Jesus didn’t rush to Bethany to save him, since He could have done so, and Mary worries that her brother’s body will smell after four days dead in the tomb. Well, yeah. You can hardly blame her. They are the ultimate believers, and yet everything feels awful. And how does Jesus react? He gets pissy.

The women remind me of my pastor’s sermon on dual citizenship. She described the in- formation in one of our spiritual passports—that we’re beautiful children, created by, and made of, holiness, spirit, love. In the other passport, regrettably, we have bodies, biographies, minds, and personalities. Mary and Martha have come so far in their faith, in trust and surrender, but it’s not enough for Jesus. He admonishes them, and this bugs me. He wants them to come all the way into faith. He’s saying, Okay, so the shit has hit the fan—do you still believe that I am the Resurrection and the Life? Even when you don’t get what you want? Even when nothing makes sense?

I’m sorry, but I’m with the sisters here—and all inconsolable believers.

Jesus wants to know why they can’t believe that their brother is still in His perfect care, safe and whole, and even smelling good, no matter what things look like. If Jesus were sitting here with me, in a good mood, I would say to Him, “Don’t get me started.” Jesus deliberately let their brother die, that the prophecies might be fulfilled. Putting aside that this is a morally ambiguous decision—whatever happened to the shepherd’s desolation at one missing sheep?—they responded in authentic human ways, with weeping, anger, shock, and doubt.

There is so much for Jesus to be pissy about, but this? I believe God loves the real, is the real, who loves us at our most genuine, unburnished, unarmored. But Jesus groans. Oy vey.

The sisters, in their shock, say, We’re suffering, scared, and hate everything, and we’re not sure what is true anymore. And Jesus doesn’t hear their humanity. He corrects them. Keep the faith, He says: I really am the god of the quick and the dead. Then, like a slightly depressive cheerleader, He tells them, Go big.

Now, I believe in a kingdom of heaven within, and that the soul never dies, but you take away my brothers, my son, or my grandson, and we have a problem on our hands. Wouldn’t you think God’s embrace of me in despair is galactic? And these women, with a lifelong lack of stature, and messy female bodies, have been derided enough.

When the rock at the entrance to Lazarus’s tomb is rolled back, and Jesus calls for Lazarus to come out, Lazarus does. He walks out wrapped in grave clothes, not looking, feeling, or probably smelling his very best; it is still a miracle, maybe in need of a shower. And when he dies again later, the sisters still got their miracle. So it all works out.

Orson Welles said, “If you want a happy ending, that depends, of course, on where you stop your story.” The crucifixion looked like a big win for the Romans. At the end of the Lazarus story, the four are together again, Jesus and the family, and I can see here that mercy means that no one bolted. Mercy means, I don’t run away from this, and go shopping, just because you and your smelly family disappoint me. I stay.

I am committed to this, to this supernatural love. But Jesus pissy? I ask you.

Of course He wins me back right away. My Sunday school loves the story of Jesus’ returning after the resurrection, to the beach where his desolate disciples are grieving his death. As Frederick Buechner wrote, “The darkness . . . is broken by the f licker of a charcoal f ire on the sand. Jesus has made it. He cooks some fish on it for his old friends’ breakfast. On the horizon there are the first pale traces of the sun getting ready to rise.” He cooked them brunch! It’s so cool; my kids and I toast Him with juice boxes.
I’ve lived through times when a connected group of humans in grief and shock stayed together as things unscrolled, when a person was dying too young, or after. What could we do? We showed up. When our best friends’ teenagers disappeared, when their fathers lost their minds, or their babies or mates were in the ICU. We lay beside them in bed and held them in our arms. We brought the bereaved a sandwich. We let them vent, maybe watched a little TV together. We offered our presence, our warm bodies, and the willingness to feel like shit with them. One even bigger gift: no snappy answers. We could nod, sigh, cry with them; maybe go to a park. Against all odds, these things work, however imperfectly, when a closed system breaks open and turmoil ensues: this collective, imperfect, hesitant help is another kind of miracle.

Naturally one wants to avoid these kinds of miracles. We’d prefer routine, predictability, to never be ashamed or afraid, let alone aghast. But comfort zones leak. A niece dies, or there’s an earthquake, a lesion appears, affairs happen. If anyone is so good that he or she should be spared, you can safely assume that person is in the line of f ire. Fair is where the pony rides are. In lovely closed systems, timers are set: tick tick tick.

The belief in original sin made sense of the chaos and pain by saying that we had caused it through sin, but this does not have the ring of truth for some of us, especially with sick or starving children. What has the ring of truth is this: It sucks.

You can say that certain tragic events are unfair and humiliating, but really, they are just true. Randomness and brutality are just what is; but so is mercy.

The power of mercy came clear to me recently, when the son of one of my closest friends, Ann, took his own life. He shot himself at a beach near the house where he had been staying with his aged mother for nearly a year. Everyone had seen suicide looming for a long time, and yet it was still the end of the world. Ann, at ninety- two, had lost her younger son.

It’s stunning, how a great trauma can also be so ordinary. Some of the dearest and most brilliant people we’ve known were not able to bear life on this planet, and we were unable to save them. Where, in the aftermath of suicide, does one even begin to believe in mercy again?

There were four people whose presence brought Ann comfort in the first few days, and we were there at all times in the first week. What I saw was the extremely disorganized nature of life, the reality of suicide, charity, sacrifice. We mourned Jay’s death, felt joy in his deep good- ness, relief at his escape, and we felt Ann’s shaky peace. She was thankful that she’d been able to spend so much time with her son in the last ten months, not to mention fifty years. She said that she could still feel his presence off and on, and experience peace that he had left her and his big brother and his kids notes of assurance and love. She experienced relief and gratitude that he had not shot himself at their home. And she missed him as only a mother can.

People kept saying she would feel him again someday, and she said, “Oh, I feel him now.” Lifelong friends told her she really must take a nap, and she said, nicely, “I’m not tired.” We brought the few foods she could handle, peaches, avocados, cheese, cherries, and people suggested she probably needed more protein. People said that since Jay was in a closed casket, awaiting cremation, there was no reason for us to visit the funeral home, but we did. We sat with him for a long time, not knowing at which end of the casket his head was, or his feet, so Ann rubbed the cloth at one end while I rubbed the cloth at the other. Then, smiling, we switched places.

At the memorial a week later in her yard, Ann looked like an elegant, vulnerable young eagle. She has always been beautiful, white- haired for the thirty-five years I have known her, tiny but a huge presence in the larger theatrical world, still with a trace of a New Zealand accent. I got there early enough to help her older son set up the yard. Sandy is a few years younger than I am, and the handsomest man I have ever known, and he has buried two husbands. We sat with his mother while she put on her face, as she put it, but she still looked like a charcoal drawing that had been worked over, part of it erased, part of it in high relief.

We got things ready for the thirty or forty people we expected—chairs, silverware, wine. The three of us were to be the speakers. Salvation in these dire situations is to worry about the material world, futzing and putzing, folding napkins, unfolding chairs.

Sandy looked even more like Ann that after- noon, charcoal smudges under his eyes, and fine chiseled cheekbones, fierce intensity underneath his thrumming fear. People arrived and took a turn with the sacrament of ploppage, in a chair beside gentle, regal Ann.

Things began with all the guests shuffling in Ann’s long, skinny concrete yard. It was a sort of do-si-do with chairs and people, including Sandy’s and Jay’s stepmother, and exes, and exes of exes.

We placed the chairs in the shade of the trees under which Jay had found some peace here, fig, magnolia, plum. When Ann had asked him a few months earlier why he had left his home in the East and come back to live with her, he said that he wanted to help her, as she had grown so old, and that he knew he would find some peace and welcome in her backyard.

We made a wobbly long oval of irregular chairs, plastic patio chairs, and fancy dining room chairs, so perfectly imperfect on this tough day. It was not a tidy event: not one thing matched another, not people, not the sky, bright blue with clouds, a breeze, crows.
I was the officiant, I guess. I said, This is hard, and we all loved him so, and will miss him. We feel him here now, in wholeness once more, hovering, yet we will never get to talk to him on the phone again or at dinner, and this is too awful to bear. I said, Let’s keep the beauty and sorrow in front of us now, in memories, silences, poetry.

I shared some reminiscences of Jay as a happy boy, a handsome blond teenager beside his suave, dark brother, with their great huge goof ball of a dog. I remembered a few Christ- mases back, when he skipped the family dinner to instead make dozens of sandwiches to pass out to the homeless in our area. I gave a tip of the hat for the bravery of his friends who stayed close and involved even as he grew so defeated.

Sandy went next. He had notes, but didn’t read from them. You felt both constriction and generosity in his sharing, of his brother’s lethal empathy, of vacations, other gardens, holidays, camping, college, his children, and his crushing troubles.

Then Ann, at peace and in grief, stood up trembling and shared the note he had left for her. Like most suicide notes, it said, I have to do this. I’m sorry. Please forgive and release me. Don’t be sad. And I love you; love you. Then she called forth Jay, in baby baths, at the beach, on a trike, at the prom, and here, smoking and resting among the f lowers. She gave thanks for the gestational period of ten months they’d spent together at what turned out to be the end, for the communion and care he received and gave to Ann, for that time they had needed so badly, an intimacy most of us cannot imagine.

In the garden, where he had walked, paced, rested, we were holding him and releasing him, inside the ring of trees, ferns, rosebushes, a cherry plum. That is the purpose of memorial services, to cry and hold on and stick together, as well as to release ourselves from the grinding regret: How could this have happened? How can such pain exist? What else should we have done? How could doctors not help him, with all those meds and treatments, not help him get free of that bad brain any other way? He was at the mercy of it, of bad brain, yet he held out so long, for Ann, to help her. So mercy has claws, too, that don’t easily let go.

God doesn’t give us answers. God gives us grace and mercy. God gives us Her own self. Left to my own devices, I would prefer answers. This is why it is good that I am in charge of so little: the pets, the shopping, the garden. Ann plants flowerbeds of white impatiens every year, because they reflect moonlight in a dark sky. Jay’s people in their funky chairs shared their love and memories. Every release inside us releases whatever energy inside us tethered Jay here, to this realm that was just too awful for him. We were saying, This is hard, but not as hard as it was for you here, weighed down by the anchors of so-called reality. So go now, go, unfettered.

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128 of 133 people found the following review helpful.
Hallelujah, Anne Lamott!
By Deanokat
If I wanted to sound hipper than I actually am, I’d tell you that Anne Lamott is my “spirit animal.” But at my age, I’m probably not cool enough to use terms like that. So instead, I’ll just say that Anne Lamott makes my world a better place, because her books are like elixirs for my soul. I’ve been hooked on her writings since my wife introduced me to them several years ago during a difficult period in our lives.

When I read Annie’s books, I feel like I’m being hugged by her words, and “Hallelujah Anyway: Rediscovering Mercy” is no exception. In fact, the words on the pages of this book are the best kind of hugs, full of love and hope and spirituality. And even though I don’t consider myself to be a very religious person, I am a big believer in love, hope, spirituality, and the comfort they bring to our lives.

In “Hallelujah Anyway,” Anne Lamott explores the complicated concept of mercy. The dictionary may define mercy as “compassion or forgiveness shown toward someone whom it is within one's power to punish or harm,” but Annie’s got a better definition: “Mercy is radical kindness,” she writes. “Mercy means offering or being offered aid in desperate straits. Mercy is not deserved. It involves absolving the unabsolvable, forgiving the unforgivable."

Yes, mercy is complicated, but “Hallelujah Anyway” does a fabulous job of breaking it down so it’s easier to understand. And Annie even paints visual pictures of mercy that help you *feel* what mercy is. “Mercy is a cloak that will wrap around you and protect you,” she says. “It can block the terror, the dark and most terrifying aspects of your own true self. It is soft, has lots of folds, and enfolds you. It can help you rest and breathe again for the time being, which is all we ever have.” Can’t you just *feel* those words giving you a hug?

Showing mercy isn’t an easy thing to do in this day and age, but it’s something that’s so very necessary. So many of us are struggling and hurting, and we need to be embraced and connect with each other. Because, as Annie states, “the last word will not be our bad thoughts and behavior, but mercy, love, and forgiveness.”

Sure, people come in all different shapes, sizes, colors, religions, and ethnicities. But the bottom line is, despite all our differences, we are all human beings. And we all deserve mercy. And the way we start making that possible is to accept one another for what we are. In what I found to be the most powerful line in all of “Hallelujah Anyway,” Lamott tells us: “Polite inclusion is the gateway drug to mercy.”

On the first page of Chapter One, Annie writes about “scary, unsettling times”—times “when we know that we need help or answers but we’re not sure what kind…. We look and look, tearing apart our lives like we’re searching for car keys in our couch, and we come up empty-handed. Then when we’re doing something stupid, like staring at the dog’s mismatched paws, we stumble across what we needed to find. Or even better, it finds us.”

At this point in my life, when I’m going through still *more* trying times, I truly needed “Hallelujah Anyway: Rediscovering Mercy.” I’m so grateful that Anne Lamott put it out there for me to find. You should go find it, too. I guarantee it will make you feel better and give you a little bit of hope for the world we live in today.

64 of 71 people found the following review helpful.
Mercy and Grace for Sinners Like Me
By fionaII
I pre-ordered this book because I wanted it as quickly as possible. It came to my door the morning of April 4. I thought I would start reading it later in the day but when I looked at it, I thought the book wasn't very long so I would read just a few pages. I began and never put it down until I finished it in the wee hours of the next day.
I began to underline what I wanted to remember or deeply think about. When I finished I realized I had underlined, or put a star by a word, of the entire book. Every phase, every story, every word and Bible verse became precious to me. Anne Lamont outdid herself writing this book. Did I weep at times-- yes. Did I see myself--yes. Did she give me hope--- YES. She is so mercifully human in her Christian walk. Merciful to saved the lost and dying, suffering world. I relate to her writings as if she was apart of me.

Thank, thank for your grace and mercy

22 of 25 people found the following review helpful.
Fills pot holes with understanding
By Gingergaie
The truth for me is this: "Mercy," more than anything, was a word of exclamation, sometimes paired with "Lord have..." or "Lordy..." In my background of experience mercy was given by God, not by mere mortals. Anne Lamott changed all that, filling a big pot hole in my own understanding of love and compassion: Mercy is each person's priceless wild card, given by God in the game of life, that transforms anger and guilt into kindness and compassion. This isn't a simple concept but rather one that sits at the crossroads of self and others merging with love and forgiveness, OR resentment and hate. Lamott's guides the reader through Mercy's rocky terrain with wonderful stories of how she and others have played their hands; and what she's learned along the way. I greatly appreciate her tackling this timely concept, in today!'s world, Mercy needs to be shared now, possibly more than ever.

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Selasa, 26 Juli 2011

[L799.Ebook] Ebook Class-Passing: Social Mobility in Film and Popular Culture, by Gwendolyn Audrey Foster

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Class-Passing: Social Mobility in Film and Popular Culture, by Gwendolyn Audrey Foster

Oprah Winfrey, �Roseanne Barr, Martha Stewart, and Britney Spears typify class-passers--those who claim different socioeconomic classes as their own--asserts Gwendolyn Audrey Foster in Class-Passing: Social Mobility in Film and Popular Culture. According to new rules of social standing in American popular culture, class is no longer defined by wealth, birth, or education. Instead, today's notion of class reflects a socially constructed and regulated series of performed acts and gestures rooted in the cult of celebrity.�
In examining the quest for class mobility, Foster deftly traces class-passing through the landscape of popular films, reality television shows, advertisements, the Internet, and video games. She deconstructs the politics of celebrity, fashion, and conspicuous consumerism and analyzes class-passing as it relates to the American Dream, gender, and marriage.
Class-Passing draws on dozens of examples from popular culture, from old movie classics and contemporary films to print ads and cyberspace, to illustrate how flagrant displays of wealth that were once unacceptable under the old rules of behavior are now flaunted by class-passing celebrities. From the construction worker in Who Wants to Marry a Millionaire? to the privileged socialites Paris Hilton and Nicole Richie of The Simple Life, Foster explores the fantasy of contact between the classes.�She also refers to television class-passers from The Apprentice, Queer Eye for the Straight Guy, and Survivor and notable class-passing achievers Warren Buffet, Bill Gates, and P. Diddy.
Class-Passing is a notable examination of the historical, social, and ideological shifts in expressions of class. The first serious book of its kind, Class-Passing is fresh, innovative, and invaluable for students and scholars of film, television, and popular culture.

TABLE OF CONTENTS:

1. Class - Passing and The American Dream
2. Class - Passing, Consumerism and Gender
3. Class - Passing and Negotiations of Masculinity
4. Celebrity Fantasies: Marriage and Class Mobility
5. Live on Your World, Class - Pass in Ours
6. Classing the Body, Cash - Passing and Class Mashup

  • Sales Rank: #2912505 in Books
  • Brand: Brand: Southern Illinois University Press
  • Published on: 2005-08-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .50" w x 6.00" l, .49 pounds
  • Binding: Paperback
  • 152 pages
Features
  • Used Book in Good Condition

Review
"Both timely and pertinent to the current discussion on class and culture in the US, Foster's book is a must. Summing up: Essential."--CHOICE

Chosen as an "Outstanding Academic Title" by Choice in 2005.

"Foster presents a timely indictment of US 'celebrity' culture,wherein a credit card, plastic surgery, and happy pills represent thekeys to the American Dream. She examines how constant exposure to thefantasy world of the rich and famous impacts the lives of averageindividuals, who try to replicate these worlds through behavior, dress,and, in many cases, dieting and/or plastic surgery. And if all thisfails to help them achieve the American Dream of unending luxury andfame, these celebrity-seduced individuals can always turn topharmaceuticals for their ultimate happiness.

Foster also points out that the illusions created by the media lead many tobelieve they can "class-pass" as one of their favorite celebrities with a mere swipe of their credit card, an idea promoted throughadvertisements, reality television shows such as Queer Eye for the Straight Guy, and documentary programming like VH1's The Fabulous Life. Both timely and pertinent to the current discourse on class and culture in the US, Foster's book is a must. Summing Up: Essential. All readers; all levels. -- A. F. Winstead

“Class-Passing is positively overflowing with ideas and insights, teeming with splendid observations of an original and challenging nature. Foster’s ability to link class with issues of race, gender, and the body is quite marvelous and convincing. Class-Passing is very much in the forefront of contemporary film and cultural studies, superior in every way.”—David Desser, University of Illinois



“At a time when studies of social class in media representation have taken a back seat to analyses of race and gender, Class-Passing, in daring and original fashion, maps and elaborates on contradictions in performing social class via the media and popular culture. The book is commendable for the range of examples that illustrate continuities and changes in representations of social class as well as their relation to treatments of race and gender. Foster’s innovative analysis is not restricted to cinema but includes television, advertising, etiquette books, popular manuals, and video games, providing a broad field from which to assess the character and vicissitudes of class passing.”—Marcia Landy, University of Pittsburgh

About the Author
Gwendolyn Audrey Foster,�Willa Cather Endowed Professor of English in the Department of English at the University of Nebraska, Lincoln, is the author of numerous books in film and literature. Her book, Performing Whiteness: Postmodern Re/Constructions in the Cinema, was named an Outstanding Title in the Humanities for 2004 by Choice.

Foster's most recent book is Disruptive Feminisms: Raced, Classed, and Gendered Bodies in Film published by Palgrave/ Macmillan.

Visit gwendolynaudreyfoster.com for more information on the publications of Gwendolyn Audrey Foster.

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0 of 0 people found the following review helpful.
Must Read about Class-Passing
By T. Marjorie R. Nye
This was an awesome book. A dense read for such a little book, but full of very interesting bits. That's why it kind of takes longer than you'd think to read it. There is very little published about class-passing. If you're interested in class, you must read this book.

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Rabu, 13 Juli 2011

[P461.Ebook] Ebook Fresh Off the Boat: A Memoir, by Eddie Huang

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Fresh Off the Boat: A Memoir, by Eddie Huang

NOW AN ORIGINAL SERIES ON ABC • “Just may be the best new comedy of [the year] . . . based on restaurateur Eddie Huang’s memoir of the same name . . . [a] classic fresh-out-of-water comedy.”—People

“Bawdy and frequently hilarious . . . a surprisingly sophisticated memoir about race and assimilation in America . . . as much James Baldwin and Jay-Z as Amy Tan . . . rowdy [and] vital . . . It’s a book about fitting in by not fitting in at all.”—Dwight Garner, The New York Times

NATIONAL BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS

Assimilating ain’t easy. Eddie Huang was raised by a wild family of FOB (“fresh off the boat”) immigrants—his father a cocksure restaurateur with a dark past back in Taiwan, his mother a fierce protector and constant threat. Young Eddie tried his hand at everything mainstream America threw his way, from white Jesus to macaroni and cheese, but finally found his home as leader of a rainbow coalition of lost boys up to no good: skate punks, dealers, hip-hop junkies, and sneaker freaks. This is the story of a Chinese-American kid in a could-be-anywhere cul-de-sac blazing his way through America’s deviant subcultures, trying to find himself, ten thousand miles from his legacy and anchored only by his conflicted love for his family and his passion for food. Funny, moving, and stylistically inventive, Fresh Off the Boat is more than a radical reimagining of the immigrant memoir—it’s the exhilarating story of every American outsider who finds his destiny in the margins.

Praise for Fresh Off the Boat

“Brash and funny . . . outrageous, courageous, moving, ironic and true.”—New York Times Book Review

“Mercilessly funny and provocative, Fresh Off the Boat is also a serious piece of work. Eddie Huang is hunting nothing less than Big Game here. He does everything with style.”—Anthony Bourdain

“Uproariously funny . . . emotionally honest.”—Chicago Tribune

“Huang is a fearless raconteur. [His] writing is at once hilarious and provocative; his incisive wit pulls through like a perfect plate of dan dan noodles.”—Interview

“Although writing a memoir is an audacious act for a thirty-year-old, it is not nearly as audacious as some of the things Huang did and survived even earlier. . . . Whatever he ends up doing, you can be sure it won’t look or sound like anything that’s come before. A single, kinetic passage from Fresh Off the Boat . . . is all you need to get that straight.”—Bookforum


From the Hardcover edition.

  • Sales Rank: #17797 in Books
  • Brand: Huang, Eddie
  • Published on: 2013-11-12
  • Released on: 2013-11-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .60" w x 5.20" l, .46 pounds
  • Binding: Paperback
  • 288 pages

Amazon.com Review
Q&A with Eddie Huang

Q. You're a chef, but your restaurant doesn't show up in this book until pretty late. If you're not writing about your restaurant--the fabulous Baohaus in New York--then what are you writing about?

A. Food is at the core of the book, but I examine it beyond the plate, almost as a symbol. There's only one recipe in this book and there are no measurements. I want people to understand the power that food has as a gateway drug into culture and history, but, first and foremost, my book tells a story about growing up Taiwanese-Chinese in America. It's a story about unpacking your identity, purging yourself of the things your environment has imposed upon your consciousness, and trying to set yourself free. I refused the American Experience I was sold, remixed it for myself, chopped it up, and sold it back.

Q. One of the powerful aspects of the book is the language you use, which feels completely original. Where does your voice come from?

A. Language is constantly changing and the biggest disservice you can do to yourself and your reader is to write how you think you're "supposed to" write. My parents didn't really speak English at home, so I had to develop my English voice independently and mostly through pop culture--I grew up speaking Chinese, listening to hip hop, and watching cable television. Learning to trust my own voice was probably the most important thing I ever did. When I was in college, Richard Ford visited during a speaking series and criticized Ha Jin, who had just won the National Book Award, for writing in English because it wasn't his native tongue, implying that Ha Jin should stick to Chinese. I was just a half-assed student at the time, but I stood up and argued with Ford from my seat till they made me sit down. My mother speaks broken English but even with her comic disregard for subject-verb agreement, she throws mad knowledge darts. You should never worry about what others think about the language you use, as long as it's truly your own.

Q. What do you want readers to take away from Fresh Off the Boat?

A. The simple surface reading of this book is to be yourself by any means possible. That's the basic theme, but I want people to see how implementing a simple concept like that takes a struggle between you and your country, you and your city, you and your reference group, you and your family, you and your race, you and the sub cultures you subscribe to, and on and on. It's about the constant battle between that little voice inside you and the people you love, the legacy you carry, the cultures that make you curious, the country that tells you who you're supposed to be. It's about the complexity of being an individual--about finding love in family, in friends, in food, in music and culture, and a million other surprising places, and figuring out how to bring all that together inside of you. It's about learning to be fearless, but it's also about the cost of those lessons and the literal and psychic violence you encounter when you try to break free.

There are tons of books about the struggle to be an individual, but with each one we reach more and more people who were never spoken to. I was always a weirdo growing up, but I believed that there were weirdos like me, and my writing this book is like Professor X putting on cerebro to find the other mutants.

From Booklist
Born in the U.S. to Taiwanese immigrant parents, Huang refuses to be a “lapdog under a bamboo ceiling,” and his colloquial, furious memoir is as open about his struggling, screaming, sometimes abusive parents as it is about the prejudice he encounters growing up in Orlando and then in New York, where to this day “someone tells me to go back to China at least three times a year.” He hates that everything he does is a statement about his people and where they are from, even as he refuses to be reformed, assimilated, apologetic. Always refusing to fit in, he wants to hurt people like they hurt him, and he succeeds. Now he runs a big New York City gourmet restaurant and a food store, and, throughout the book, food is front and center, including his mother’s recipe for the best beef noodle soup. Readers will leave hungry, and many immigrants will recognize the refusal to go with the model minority myth. --Hazel Rochman

From Bookforum
Let it be said right now that although writing a memoir is an audacious act for a thirty-year-old, it is not nearly as audacious as some of the things Huang did and survived even earlier. —Melanie Rehak

Most helpful customer reviews

103 of 108 people found the following review helpful.
Profane, profound, profusely entertaining.
By P. Wung
"This book isn't for everyone. I thought it wasn't for me when I first started reading it.

Eddie Huang is the owner of Baohaus, a NYC eatery that is one of the hottest places in town. This is his autobiography, the story of his evolution from a confused kids who was fresh off the boat to an entrepreneur and a food celebrity. I really like thisi book because his life experience runs parallel to mine in many ways.

There are difference though, and even though Eddie speaks from a place that is near and dear to my heart, I am from an era that is far removed from Eddie Huang's generation. Hip-hop isn't my thing and I just don't get it. BUT, there are enough commonalities so that I do get where he is coming from. We both were born in Taiwan, we both came to America as young children. We both found our way through the maze that is America. Eddie did it about twenty years after I did, and he did it with far more courage. I went through the Caucasian society by keeping my head down and working at getting better and smarter their way. Eddie did it by figuring out his way and then having the courage and discipline to stay with it. I seethed inwardly at the racial stereotyping and the inequalities inherent in America, Eddie fought those things and more. Literally.

First of all, being the only Chinese kid in the neighborhood is not a good deal. The stereotypes run rampant and people get really ticked if you don't behave the way they want you to behave. Both of us have been through all that and Eddie's stories, while outrageous sounding, smack of the truth. He is as real as it gets, even more real than anyone wants.

The other part of the growing up Chinese/Taiwanese in America is the relationships we have with our families, particularly our parents. There is some hidden genetic code in Chinese parents, they all must have learned from the same book, just like the Tiger mom's book. You never praise your kid, you never let them know just how proud you are of them. Whatever they do is never enough and they are the dumbest, ugliest, the most worthless human beings on earth. While I love my parents, nothing I ever did was right, anything that I did which did not conform to their definitions of success: good grades, assimilation, wealth, and grudging acceptance by the Caucasians. was considered not good enough. So reading that part of the book was intense and had me riveted.

As a matter of fact, this book had me riveted for a good number of instance. Eddie Huang can write, his intelligence overflows the pages. But there are numerous times when he writes in his true street vernacular, those are the times that I really could not understand just what he is saying. But his rhythm, his tone, and his style really does help me transcend the lost in the translation feeling and drives home the points that he wanted to drive home.

I think the most enjoyable parts of the autobiography for me is when he starts talking about the foods of Taiwan and his own study of those foods. His expert descriptions of the street foods had my mouth watering at the memories and his description of his own culinary adventures had me marveling at his talent.

In the end, I think this is a book for the open minded. I don't think the average Food Network groupie would get into the cultural analysis inherent in the book. Many Chinese people would be horrified at some of young Eddie's adventures. It certainly won't make Chinese parents happy. In the end, Eddite Huang's honesty and straight as an arrow attitude is very attractive and makes for great reading."

68 of 80 people found the following review helpful.
Bold, irritating, at times illuminating and opaque
By Samuel Dram
This was, when I finished it, clearly a 2-star book. That was 2 weeks ago. Then I had to go back to it a few times and reread some parts over again. Now as I write this review I've got to give it 3 stars just for the amount that it questioned my own assumptions, and I'm bordering on 4 stars for it's boldness and originality.

Let's get it out of the way first - Huang uses numerous subculture references - basketball, comic books, rap, fashion - to the point where you might have a hard time understanding what is going on. That's the point: he's not going to spell it out for you, he's going to talk to you like you already know what's going on. And if you don't know already, he's not going to take the time to explain it to you. You catch up or get lost in the dust.

And there are long passages about his "rough times" getting into fights with frat boys, petty larceny, and selling weed. His wild days don't seem as wild to me as they do to him.

But some of the things he writes about - growing up with an Asian face in America, using food to tell a story, why "fusion" food is almost always dangerous and disingenuous, trying to find out who you are when everyone else is forcing you into an answer you might not like - are really powerful and interesting. Few people are writing about some of this stuff, and it's impossible to ignore him or write this book off.

I may not have understood everything in this book, but I got the sentiment, and I think we'll be hearing about this book and Eddie Huang for years to come.

63 of 74 people found the following review helpful.
Fresh Off the Boat: A Memoir
By Beth Cummings
Being from the northern plains (fly-over country to those from the coasts), I was not aware of Eddie Huang or his Baohous restaurant prior to reading his memoir. Now I wish I lived closer to New York City so that I could taste a sample of his signature bao. I did know what they were (Taiwanese/Chinese meat in a bun) before reading the book, and his sound scrumptious.

Eddie Huang is the son of Taiwanese immigrants who struggled as many do to acclimatize and succeed in the United States. His father eventually put together enough capital to open and steakhouse and the family (parents and three sons) moved rapidly from poverty to wealth in Orlando, Florida. In the book Eddie describes the difficulties he had trying to find a way to fit in - a Chinese boy with a love of hip-hop and Taiwanese food. Eddie spent his teen years trying to live the gangsta lifestyle which eventually got him into trouble with the law. His parents sent him back to Taiwan to try to get his act together.

Eddie Huang is a very smart guy - both street smart and book smart. He learned from his past, went on to college and then to law school, making his father very proud by passing the bar exam on the first try. All set for life, escept that Eddie hated the legal life. He wanted to open a restaurant that would fill both a hip-hop need and a desire for authentic Taiwanese food. So with encouragement from such Food Network notables as Guy Fieri ("Diners, Drive-ins and Dives")and Anthoy Bourdain ("No Reservations")who he met through a cooking contest, Eddie moved ahead with his passion. It was an instant success and seems to be going well. He also writes a food blog and has several videos on his website that document much of what he has written in the book.

I enjoyed the book immensely. I found Eddie to be a fascinating character. However, readers should be forewarned; Eddie writes with passion and street language, so there are words and phrases that are both unfamiliar to those who don't get into hip-hop and many words that would be generally called gutter language. Nonetheless, I would happily recommend "Fresh Off the Boat" and wish Eddie Huang continued success.

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  • Sales Rank: #3138701 in Books
  • Published on: 2005
  • Binding: Paperback

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