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One of the most daring films of the 1950s, the dark satire Sweet Smell of Success, took on McCarthyism at a time when film studios were cringing under the repressive eye of the censors and an equally intimidating political and media environment. Starring Burt Lancaster and Tony Curtis, this film was the first of its kind to take on the Hollywood system as it served up a dose of revenge for the left against the suffocating cultural atmosphere of the period. James Naremore’s insightful study offers new information about the many revisions of the screenplay, negotiations with censors, and the tense circumstances under which the film was shot and received by critics and the public. He also provides a detailed commentary on the finished product, analyzing the important contributions of its several talented creators.
- Sales Rank: #1941792 in Books
- Published on: 2010-07-06
- Released on: 2010-07-06
- Original language: English
- Number of items: 1
- Dimensions: 7.20" h x .39" w x 5.36" l, .44 pounds
- Binding: Paperback
- 96 pages
Review
...hard to match for context [and] background.' - Total Film
From the Back Cover
The highest artistic achievement of Hecht-Hill-Lancaster, an innovative production company that emerged in Hollywood at the end of the classic studio system, Sweet Smell of Success (1957) portended the collapse of Breen-Office censorship and was the first US entertainment film to depict McCarthy-style exploitation of the press. It also presented an unusually dark view of the culture of celebrity, presaging developments of an even darker kind in our own day. Sweet Smell's frightening portrayal of a newspaperman loosely based on Walter Winchell and its unstinting depiction of corruption and sleaze in the world of Broadway theatres and nightclubs have given it a legendary reputation; critics and film-makers continue to praise the whiplash dialogue of Clifford Odets and Ernest Lehman, the seductive location photography of James Wong Howe, the stylish direction of Alexander Mackendrick and the disturbing performances of Burt Lancaster and Tony Curtis as ruthless gossip columnist J. J. Hunsecker and his ambitious but doomed acolyte, Sidney Falco.
James Naremore's masterlystudy of Sweet Smell of Successoffers new information about the many revisions of the screenplay, the production company's negotiations with censors and the tense circumstances under which the film was shot and received by the public.Naremore places the film in its historical context, arguing that it functioned as the revenge of the Hollywood left against a repressive political and media environment that was beginning to change and momentarily lose its power. He also provides a detailed commentary on the finished product, analysing the important contributions of its several talented creators.
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About the Author
James Naremore is the author of a number of books, including Acting in the Cinema (California, 1988), The Films of Vincente Minnelli, More than Night: Film Noir in Its Contexts, and On Kubrick. Emeritus Chancellors’ Professor at Indiana University, he lives in Bloomington, IN.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Brings an Obscure Noir Back to Life
By Dash Manchette
I must have read an article on forgotten film noir. How else to explain Sweet Smell of Success on my Netflix list? Certainly not because I had heard of it. By the time I got that far down my viewing, I had forgotten I had placed it there.
That is a shame, because the movie deserves wider recognition and viewing than it currently enjoys. I recently saw Double Indemnity with Fred MacMurray. Ok, Sweet Smell of Success was not that good. That is a tough standard, after all. Still, even after seeing one of the gems of film noir, I was not let down by this. Fortunately, this BFI book by James Naremore treated its subject matter well, allowing for a better viewing.
The stars of Burt Lancaster and Tony Curtis were just perfect, and the book places both actors into historical context to appreciate just how good the casting was. Before taken us on a scene-by-scene review and analysis of the movie, the book also touches upon the endless re-writes, the difficulties of bringing the New York City night onto the screen, and perhaps best of all, a brief but solid review of the world and history of press agents and newspaper columnists.
Free of technical jargon, this book is easily accessible for anyone wanting a bit more. It is a nice entry into the BFI series.
2 of 14 people found the following review helpful.
Like Getting Pizza Delivered the Day AFTER You Oder It
By Sean J. Giorgianni
Reading James Naremore is a bit like eating a pizza delivered the day after you ordered it - you know it's supposed to be tasty, but somehow it isn't very satisfying.
Read this book for the history of Burt Lancaster, Clifford Odetts, and Tony Curtis. That, and maybe you'll look more interesting at your local Starbuck's.
On the plus side, it's a well-made book, with heavy stock and lots of interesting photos.
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